Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
(you never sleep regularly anymore.)
i can’t stop listening to this one
yeah, this track is just the right amount of off.
You throw a turtle party and someone brings a snake and it’s like did they even read the invitation, come on
watching multi-million dollar corporations constantly struggle and fail to make gifs and gifsets that people would actually give a shit about is so interesting
Photos of the DC Punk scene, 1979-1980 by Lucian Perkins.